Whisky a Go Go December 8, 1972 concert review

From The Los Angeles Times, written by Richard Cromelin

It's too bad that Steely Dan (at the Whisky through Sunday), a band that is capable of producing some appealing, energetic and intelligent rock 'n' roll, chooses to be so neglectful (or simply tasteless) in matters of appearance. Live rock 'n' roll is supposed to be a show, and how long can one look at a pair of denim overalls without becoming utterly bored or downright repulsed?

That self-imposed disadvantage should be correct-ed quickly, because if it presents a visual aspect that complements rather than detracts from its musical impact, Steely Dan has a chance to become an outstanding mainstream rock group.

Its tunes are simple and catchy, and the arrangements, led by keyboards and two guitars and stabilized by a solid rhythm section, are richly textured and constantly varied.

The band's style incorporates several elements, the most prominent being a British-sounding heaviness and concern with nice melodic phrases and strong chord progressions.

Also in evidence are traces of L.A. country-rock and a good deal of basic, commercial rock 'n' roll.
Steely Dan's stage manner is moderately energetic if not terribly original, and while the lead singer's moves are largely unimaginative, at least they're there. The memorable selections on opening night were "Do It Again," "Brooklyn" and "Boddhisattva" (the line "Boddhisattva, won't you take me by the hand" delivered over a vintage rock 'n' roll figure is evidence enough that there's some degree of consciousness at work in the group). If only they can find some time to go shopping.

Second-billed Woodpecker also exhibits considerable commercial potential. It makes no bones about its similarity to Three Dog Night (seven members. three lead singers, a rendition of a Randy Newman song), and there is every chance that a bit of tightening will result in considerable, if not quite so phenomenal success.